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    SML: Let the Tape Run

    Published source image accompanying SML Let the Tape Run, and the Record Holds.
    Farrah Mann examines SML’s long-form improvisation through ensemble trust, recording practice and the Los Angeles experimental-jazz scene. The review foregrounds musicianship and the difference between an unedited performance and studio reconstruction.
    Published source image accompanying SML Let the Tape Run, and the Record Holds.Original ↗

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